BERNARDHOYES PRINTMAKING WORKSHOP Invitational at RIVERSIDE ART MUSEUM, June 2024

Electrolyte Etching Workshop with Bernard Hoyes

BERNARDHOYES Speaks on the WORKSHOP in progress over 5 Days

Duration: Wednesday June 26-Sunday June 30, 2024

Bernardhoyes completes Printing workshop on Electrolyte Etching production techniques. Etching Editions was created incorporating the featured issues of Public Health, Environment, Social Justice and Civic Engagement, In accordance to the Creative Corps SoCal inLand Empire Grant Guidelines. Material resources provided by the Master Printer, as well as his Artistic and Technical consultantion in the featured Discipline, ELECTROLYTE ETCHING, Printing without exposure to Toxic Acids, using 6 volts of electricity and saltwater instead, to etch the Plate.

Workshop includes 6 invited Artists. MAURICE HOWARD, LISA LOUDIN, ADEOLA DAVIES, DEBORAH McDUFF, KAYREN LYLE, and ELLEN FINAN.

Each Artist produced an Edition, curated, signed and numbered and co-signed by the Master Printer.

The Editions are then divided into three parts. One third went to the Artists for their personal use for exhibiting, distributing and sale. One third is divided amount the six artists to compile a Portfolio for each representing the workshop.

The workshop Portfolio is a takeaway for each Artist, to have one sample of fellow workshop participants for their own collection.

The last third of the Workshop Portfolio will be submitted to Archives for Collection, such as Creative Corps Inland SoCal, Riverside Art Museum and others for future exhibitions.

ARTISTS STATEMENTS

MAURICE HOWARD statement

I enjoyed the process that made the special print makings possible.Using salt and electric current, I seen the work shop as a historical moment,where the artist could create and give meaning to social justice in our time.

My piece speaks on having freedom to create the importance of being one with the Universe,namely. Ancestor Freedom  thank you 

Maurice Howard 

951.384-8967

mauricehoward1951@yahoo.com

LISA LOURDIN

LISA LOUDIN Statement

Electrolyte Printmaking compliments the style in which I like to work with pen and ink nicely. Fine lines and words transfer onto metal plates beautifully. However, the meticulous process to create a successful print requires zen-like patience, some mad scientist skills and a love of the craft. It is a practice.  

My focus for this project is environmental.  My piece “Trees, Save Us” is a  play on the 1975 Green Peace campaign to “Save the Whales”.  It was a successful campaign and first of its kind. 

My belief is trees save us daily. By simply adding a coma in the title, the context changes a statement to a clarion call for help. I am asking trees to help us recognize the symbiosis we share.  We are all connected.  Trees can teach us a thing or two if only we would listen. 

Lisa Loudin

Phone: 773.981.1270

Website:www.lisaloudinink.com

Instagram: @lisaloudin

Studio: 68-895 Perez Road, Suite I-14

Cathedral City, CA 92234

ADEOLA DAVIES-AIYELOJA

ADEOLA DAVIES-AIYELOJA Statement

Printmaking is a fundamental aspect of my art practice, allowing me to explore layers of texture, line, and form, creating intricate and meaningful visual narratives. This medium offers a unique way to blend my cultural heritage with contemporary themes, fostering a dialogue between the past and the present. In my etching “Ancestor Warrior” based on “Sacred Imprints,” I draw inspiration from my ancestral, channeling their strength and resilience to address today’s pressing issues. This piece serves as a powerful tribute to those who came before us, amplifying their voices and connecting their enduring spirit with our current struggles for justice and empowerment. Through this work, I aim to honor the legacy of our ancestors while inspiring collective reflection and action in the present.

Namaste,

DEOLA DAVIES-AIYELOJA 

Painter, Printmaker & Mixed Media Artist 

Connect with me @…

http://www.adeolastudio.org

DEBORAH McDUFF WILLAMS

Visual Journalist and Poet’s Statement

DEBORAH McDUFF Statement

Electrolyte Etching Workshop was a complicated process.  Creating an image for printing was the easy part, but this process required transferring your image onto a zinc plate, cleaning, and maintaining reproductive quality of the work. My design focused on social justice issues when it pertains to family trauma and when it begins.

Deborah McDuff

562.233.7686

Debrwil2@gmail.com

KAYREN E. LYLE

KAYREN LYLE Statement

KAYREN E. LYLE

The electrolyte etching atelier was hands on and turnkey.  I left confident that I could repeat the process unsupervised.  

My print, based on the assignment of Civic Engagement, presents abstract themes memorializing all artists and geniuses excluded from major art institutions through the bias of color, background, gender and ethnicity.

 Kayren E Lyle

310.415.5705

Kayrenelyle@icloud.com

ELLEN FINAN

ELLEN FINAN Ststements

ELLEN FINAN Electrolyte Print  statement on workshop.
As a textile artist and weaver, I am accustomed to making and printing handheld stamps to create designs on my fabric. However, this was the first time I was exposed to electrolyte printing, a far more formal process of designing the plate, etching the image in a pan with salt and 6 volts of electricity to etch the zinc plate and then inking and making copies on a press. There are of course multiple steps but essentially this is the process. It is intentional, careful, and painstaking.  This project was a departure from how I work. As a weaver,  I work without pre-planned drafts, freeing myself to embrace serendipity, being  in the moment. The design evolves through the intersection of vertical warp and horizontal weft. Color and texture add dimension; boundaries — selvedges— are often broken.

So the invitation from Bernard was welcome. Not only would I learn a new technique that I could employ in the future, I would also create a different way to approach making art— with intention. I chose to use fiber textures in making my plate and I used the moon as my focus. As an intuitive artist, I feel pulled by the moon and its stages, so my piece is called Pulled by the Moon. Guided by a master printmaker and artist is a valuable experience. Bernard was there the whole time demonstrating at times better technique and also how to view the prints by using established criteria.  I walked away knowing I could add etching to my repertoire of artistic expression.  I thoroughly enjoyed the experience.  Thank you.

Ellen Finan
64048 Dolomite CT
Desert Hot Springs, CA. 92240
760-288-1244

Ellen Finan

760.288-1244

Ecfinan626@gmail.com

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