All posts by bernardhoyes

Visual Art Master Bernard Stanley Hoyes About Bernard Hoyes Born in Kingston, Jamaica, Hoyes demonstrated artistic abilities early on. When he was trotted off to live with a great aunt in rural Jamaica, his exposure to revival cults, ceremonies and rituals planted seeds deep within that would manifest as art in his later years. Hoyes's formal art studies began at Junior Art Centre at the Institute of Jamaica. At age 15 he left Jamaica for New York City. His lessons continued at the Art Students League and Vermont Academy. A heady combination of his drive to excel and the influence of the civil rights movement placed Hoyes at the helm of propelling the Academy to institute social and cultural programs. Upon graduation he was the first recipient of the Frederick Stanley Art Award and saw the launching of the school's first formal arts department. When Hoyes attended an alumnus reception some years later, to receive the Florence Sabin Distinguished Alumni Award, he felt pride in seeing the new edifice housing a formal art department. He earned a Bachelor in Fine Arts in painting and graphic design from the California School of Arts and Crafts in Oakland. . During the 70’s he, worked intensively on his “Rag Series” which symbolize, document and prophesied his journey from a struggling artist to one of prominence. In the early 80’s he began works that recall his Afro-Caribbean roots, specifically the rituals of African Spirituality and Christianity, since the Middle Passage. In this body of work, there is a heavy emphasis on the roles and power of woman, especially in the realms of music, dance and magic. Hoyes has participated in numerous solo exhibitions here and abroad. He has created murals in the inner city of Los Angeles, Ca. He has curated exhibitions and held a position on the board at the Museum of African American in Los Angeles. Won awards of Excellence for his famous “Revival Series,” nationally and internationally. His works have been featured in numerous television and film productions, and collected internationally. His recognition and affirmation of traditional African religion and spirituality continues to find universal appeal, stunning audiences worldwide as evidenced by his "2009 Fall Tour - Europe." Oprah Winfrey, Natalie Cole, Steve Harvey, Keenan Ivory Wayans and the National Urban League are among his collectors. President Barack Obama has even been photographed in front of his work. His craft has been fêted internationally in galleries around the world. In 1997 he mounted a, 25-year Review at the Museum of African American Art and the Los Angeles Watts Towers Exhibition Center. Founded Caribbean Arts, Inc. in 1982 to publish and distribute his Fine Art prints. Still acting on the creative impulse, he has a Sculpture garden in progress on a 3 acre Mesa in Desert Hot Springs, Ca. Hoyes has developed a non-toxic etching process using an Electrolyte process and have pulled a collection of etchings since 1996. In the summer of 2006 he introduced Kensington Press Revival to the Arts community in Kingston, Jamaica. An Atelier for Printmaking, that shares Electrolyte etching with local artist. Hoyes held a 25 review of the Revival Series entitled ”Lamentation and Celebrations” at the Loves Jazz and Art Center in Omaha, NE. in 2007. His sojourn to China to live and work with Stonemasons to create the Blue Fin Tuna Commission is well documented. In 2009, he completed a three City Exhibition Tour of Europe that included an Artist residency in Amsterdam, Netherlands. Most recently Hoyes' work was on display as part of the "Places of Validation, Art & Progression" exhibit organized by the California African American Museum as part of the Getty initiative "Pacific Standard Time: Art in LA 1945-1980" exhibitions; and he is featured in Lyn Kienholz's coffee table New Art Encyclopedia pictorial, "L.A. Rising: SoCal Artist before 1980" also supported by the Getty Foundation. In 2012, “Se7en Paintings, a Story in Performance”, was Staged. Choreographed dance, music, theatre Video and Visual Arts each riffing on the other, weave together a tale rooted in Jamaica’s spiritual traditions. Seven of Hoyes Iconic Paintings came to life on the Ford Theatre Stage in Los Angeles."Seven Paintings" is sure to elevate, inspire and revolutionize the way we view art in the future. And to experience the work of Bernard Hoyes' beyond seven paintings, go to http:// www.BernardHoyes.com.

By the River, can’t get a drink.

In my early life, I was  a struggling Artist.? At every turn I was unable to get any recognition or reward for my work. I was at the River banks of the money flow and couldn't get wet. Get the drift ?
In my early life, I was a struggling Artist.? At every turn I was unable to get any recognition or reward for my work. I was at the River banks of the money flow and couldn’t get wet, much less have a cup, to get a scoop. Get the drift ?   Love the metaphor of the River of Money. My Dad used it to give me a life lesson on getting hold of money. I was already grown at fifteen and full of myself, didn’t get it. My concern with possessing money was already eroded  because of the lack of it in my Mother’s world as a boy. I was already transformed into the idealist. That young man’s whose aim was to create the persona that would support a creative life in Art. This Painting from the Rag Series expresses the craving that I had developed, when the realities of being an Independent Artist exposed itself. There I was, just out the forest in search of the river. I was in the clearing, I could smell, hear, and see the water as it flows. I am trying to reach its banks, only the footing on the bed rocks is a challenge to surmount. occasionally i slip and get my ankles wet. Still I want to get closer, for a dip at first, then I was too deep and swimming in the swift current was not pleasant. I wish to be back on the banks. If I could just get hold of a vessel I would have a share.
This is my musing on my position in the metaphor that inspired this piece, from the Rag Series. The struggle to get a foot hold, then, to get so deep, there is still a survival issue, need to get a vessel, never having a pleasant experience by the River of money. While, some people are still trying to get to the clearing from out of the forest, some are on the banks, too busy getting a footing on the rocks, some are ankle deep, some are up to their waist, some with Vessels,  some are wading, and some are swimming for their life.